I am interested in long term projects with a documentary background. My approach is analytical, in-depth, and honest.
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”As Artistic Director of the Photoreporter Festival in St. Brieuc, I have the opportunity to give grants for documentary projects or at least to follow them to see if we want to fund them in the future. However, instead of the promise of a grant, my main help to photographers is that I can give constructive advice on how to build, expand and market photographic projects. The advice is always based on the contents of the project. I focus on the link between contents and form, and I am able to identify where they do or do not match up."
Marc Prüst is active as photography consultant, curator, and teacher. In this capacity, he edits books, creates exhibitions, teaches and organizes workshops and masterclasses, lectures and writes on photography. Furthermore, he advises photographers on an individual basis on how to develop their work and how to market it.
As Book Editor, Marc works on monographs in close cooperation with the photographer in editing and sequencing the images for book publication. He has worked with many individual photographers such as Carlos Cazalis, Jeroen Toirkens, Munem Wasif, and Pieter ten Hoopen.
Marc worked for the World Press Photo Foundation from 2001 to 2007, where he organized and installed exhibitions all over the world. In 2005, he was responsible for the exhibition and award winning publication Things As They Are, Photo Journalism in Context since 1955, for which he worked in close cooperation with Curator Christian Caujolle and Editor Chris Boot. In 2007, Marc moved on to Agence VU', where he was mainly responsible for the international, cultural activities of the agency.
In 2010, Marc successfully launched the Northern Lights Masterclass, a one year masterclass for professional photojournalists and social documentary photographers, in cooperation with the Noorderlicht Gallery and Festival.
Besides editing several monographic publications and solo exhibitions, he was one of three curators for the FotoGrafia festival in Rome for the period 2010-2012 and the creative director of the one and only photo festival in Nigeria, LagosPhoto.
Besides visual excellence, one of my top passions is storytelling. I can help you in your editing process, give you some insights into the publishing world and share my contacts with you.
You may be a beginner or an experienced artist – there is always the challenge and chance to move higher. I am committed to helping you make this move happen.
My aim is to support emerging artists, including students, working in a field related to photography or video. I can provide valuable insight into artistic practices and assist in all stages of your creative process from initial conceptualization to the verbalization of your work.
I am curious to know your thoughts and excited to see your work. I am happy to mentor and facilitate your projects, share my contacts, and give feedback on your work whether you are an emerging young photographer or a more established artist.
I am always looking for new talents and interesting artists who are making special and unique work.
I am currently curating exhibitions on young photography for 2018 and 2019. I am mainly interested in reviewing creative photography, documentary photography and photojournalism.
We might provide artists with an opportunity to exhibit and participate at the Encuentros Abiertos in Argentina and many other exhibitions or projects that we curate for different institutions around the world.
Having worked with many of photography’s past icons, I am now interested to review the work of emerging photographers who will someday shape the future of photography.
I’m interested in all types of independent and innovative photography, conceptual as well as subjective documentary.
As a specialty, I’m offering advice and introductory essays to photobooks in progress.
We are actively seeking an international mix of artists who are at a critical point of their career and would benefit from exposure through exhibitions and essays.
With a versatile background in documentary storytelling, my focus is on how to build a stronger narrative, whether it is a book project or an essay. I am very curious to review projects with an in-depth and personal approach.
I am looking for work that might be exhibited at the PhotoVisa festival and published in resources that I am connected with.
I am interested in discovering and helping new talents to develop, but I also like working closely with established artists who want some honest and constructive feedback about new projects.
With a curatorial and educators background, I can provide creative feedback on project-based work from both emerging and established artists.
I will discuss your work and give you advice on how to develop as an artist. I may hook you up with the right people to reach your goals and perhaps even facilitate publication in the magazine KATALOG.
I can advise both upcoming and established artists on how to further develop their work as well as provide assistance with exhibition possibilities in Iceland. As a photographic artist and a curator, I can share my experience from both sides.
I am excited to work with all types of artists and can offer strategies on editing and sequencing your work for submissions to grants, awards, and more. Currently, I am looking for projects for our expanding Review Santa Fe Photo Festival program and exhibitions.
We do not only publish books and market those through our offices in the USA, the UK and The Netherlands but also actively work together with our artists to help them with their careers.
Advice will be given on where to go next or how to develop your practice on the basis of the work seen/routes into photography/getting your work out.
As a reviewer, I am interested in seeing contemporary work made by photographers and media artists from around the world, especially documentary, social and conceptual work.
I look at work from around the world for possible exhibition, collecting, or educational programming. I am drawn to work that is layered - visually or conceptually - and push the boundaries of traditional photography.
I see photography as a powerful artistic means that is often constrained by pre-established formats. I am eager to discover works by lens-based artists who are into cross-disciplinarity and think outside the box. In turn I can offer an honest, regardful and open-minded reading of your work.
As a reviewer, I see my role as both a sounding board, a strategist for the development of the work and a professional who can provide valuable insight into ways artists can strengthen their work.
I am interested in reviewing many kinds of artworks, no matter what medium is used. I can also assist artists with practical advice and information about the art scene, people or institutions.
I am able to assist photo artists through publishing work in Next Level Magazine, monographs, and selection towards international photography exhibitions curated by Next Level Projects.